Vintage 8×10 Photo Ben Hur 1959 w Charlton Heston & Haya Harareet

Vintage 8x10 Photo Ben Hur 1959 w Charlton Heston & Haya Harareet

$11.99 Buy It Now or Best Offer
free,30-Day Returns

Seller Store faustinosdad
(14552) 100.0%,

Location: North Port, Florida
Ships to: US,
Item: 265605650950

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Size:8 x 10 in
Country/Region of Manufacture:United States
Format:Movie Still
Type:Photograph
Antique:Yes
Vintage:Yes
Subject:Actors
Finish:Glossy
Original/Licensed Reprint:Original
Image Color:Black & White

See my other item I Combine Shipping on Multiple Item Orders !! These Photos are part of The Jerry Vermilye Collection bought at auction. He was a writer of Many many film books and articles on many different Stars. Jerry Vermilye told CA: “As a lifelong collector of movie-still photography, I was originally inspired to showcase these in a volume exploring a certain star’s work, accompanied by biographical text and critical evaluation of the career. Ben-Hur is a 1959 American religious epic film directed by William Wyler, produced by Sam Zimbalist, and starring Charlton Heston as the title character. A remake of the 1925 silent film with a similar title, it was adapted from Lew Wallace’s 1880 novel Ben-Hur: A Tale of the Christ. The screenplay is credited to Karl Tunberg, but includes contributions from Maxwell Anderson, S. N. Behrman, Gore Vidal, and Christopher Fry. Ben-Hur had the largest budget ($15.175 million), as well as the largest sets built, of any film produced at the time. Costume designer Elizabeth Haffenden oversaw a staff of 100 wardrobe fabricators to make the costumes, and a workshop employing 200 artists and workmen provided the hundreds of friezes and statues needed in the film. Filming commenced on May 18, 1958, and wrapped on January 7, 1959, with shooting lasting for 12 to 14 hours a day and six days a week. Pre-production began in Italy at Cinecittà around October 1957, and post-production took six months. Under cinematographer Robert L. Surtees, executives at Metro-Goldwyn-Mayer made the decision to produce the film in a widescreen format. Over 200 camels and 2,500 horses were used in the shooting of the film, with some 10,000 extras. The sea battle was filmed using miniatures in a huge tank on the back lot at the MGM Studios in Culver City, California. The nine-minute chariot race has become one of cinema’s most famous action sequences, and the score, composed and conducted by Miklós Rózsa, was at the time the longest ever composed for a film, and was highly influential on cinema for over 15 years.

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