Paul's Boutique [20th Anniversary Ed] by Beastie Boys [PA] (CD, 2009, Capitol)

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Artist:Beastie Boys
Original Album Release Year:1989
Record Label:Capitol
Release Title:Paul’s Boutique
Case Type:Cardboard
Edition:Parental Advisory,Reissue,Remastered,20th Anniversary Edition
Type:Album
Format:CD
Release Year:2009
Language:English
Producer:Remastered by: Beastie Boys and Chris Athens
Style:Golden Age,Alternative Rap,Alternative Rock
Features:Remastered,Sealed,Includes Fold Out Poster,Digital Download Card
Genre:Rap & Hip-Hop

Paul’s Boutique by Beastie Boys [20th Anniversary Edition] [PA] [Remastered] [CD] Track Listing: 1. To All the Girls2. Shake Your Rump3. Johnny Ryall4. Egg Man5. High Plains Drifter6. The Sounds of Science7. 3-Minute Rule8. Hey Ladies9. 5-Piece Chicken Dinner10. Looking Down the Barrel of a Gun11. Car Thief12. What Comes Around13. Shadrach14. Ask for Janice B-Boy Boullabaisse15. 59 Chrystie Street16. Get on the Mic17. Stop That Train18. A Year and a Day19. Hello Brooklyn20. Dropping Names21. Lay It on Me22. Mike on the Mic23. A.W.O.L. Beastie Boys PAUL’S BOUTIQUE digitally re-mastered for the 1st time, overseen personally by the band to celebrate the 20th Anniversary of the release. The original vinyl artwork has been faithfully restored in this 8 panel eco-friendly limited edition CD with fold-out poster. Paul’s Boutique is consistently named as one of the greatest albums of all time by numerous publications such as Time, Rolling Stone, Spin, Q, and the Source. — When The Beastie Boys hit platinum with their debut album, they were instantly labeled the Elvises of rap, accused of being just another bunch of white musicians stealing from black music. But what was overlooked was that the Beasties actually had some interesting ideas to take hip hop to new levels. While in the years to come other white rappers like Vanilla Ice and Jesse Jaymes would prove they were the true cultural thieves, the Beasties defended themselves by recording a seminal rap album, PAUL’S BOUTIQUE. The record was, in fact, so legit that it eroded their commercial appeal in middle America. PAUL’S BOUTIQUE is a sample-fest–a post-modern epic of cut and splice studio wizardry. Taking snippets of music from sources as disparate as Curtis Mayfield, The Beatles, B.D.P., The Ramones and The Jaws soundtrack (as well as countless others), they built songs out of the debris of modern culture. Over these mind-blowing tracks, they weaved tall tales, self-promotional proclamations and sheer non-sense into a singular vision of inspired lunacy. Besides Public Enemy, no one else was producing albums as complex as this. PAUL’S BOUTIQUE sounds two or three years ahead of its time, perhaps this is why the album was considered such a failure upon its release. Whatever the case, there really is no album that sounds quite like this one does; the Beasties returned to the top of the charts a few years later with CHECK YOUR HEAD, but they may never be able to top the originality and depth of their stunning sophomore effort. — Such was the power of Licensed to Ill that everybody, from fans to critics, thought that not only could the Beastie Boys not top the record, but that they were destined to be a one-shot wonder. These feelings were only amplified by their messy, litigious departure from Def Jam and their flight from their beloved New York to Los Angeles, since it appeared that the Beasties had completely lost the plot. Many critics in fact thought that Paul’s Boutique was a muddled mess upon its summer release in 1989, but that’s the nature of the record — it’s so dense, it’s bewildering at first, revealing its considerable charms with each play. To put it mildly, it’s a considerable change from the hard rock of Licensed to Ill, shifting to layers of samples and beats so intertwined they move beyond psychedelic; it’s a painting with sound. Paul’s Boutique is a record that only could have been made in a specific time and place. Like The Rolling Stones in 1972, the Beastie Boys were in exile and pining for their home, so they made a love letter to downtown New York — which they could not have done without the Dust Brothers, a Los Angeles-based production duo who helped redefine what sampling could be with this record. Sadly, after Paul’s Boutique sampling on the level of what’s heard here would disappear; due to a series of lawsuits, most notably Gilbert O’Sullivan’s suit against Biz Markie, the entire enterprise too cost-prohibitive and risky to perform on such a grand scale. Which is really a shame, because if ever a record could be used as incontrovertible proof that sampling is its own art form, it’s Paul’s Boutique. Snatches of familiar music are scattered throughout the record — anything from Curtis Mayfield’s “Superfly” and Sly Stone’s “Loose Booty” to Loggins & Messina’s “Your Mama Don’t Dance” and the Ramones’ “Suzy Is a Headbanger” — but never once are they presented in lazy, predictable ways. The Dust Brothers and Beasties weave a crazy-quilt of samples, beats, loops, and tricks, which creates a hyper-surreal alternate reality — a romanticized, funhouse reflection of New York where all pop music and culture exist on the same strata, feeding off each other, mocking each other, evolving into a wholly unique record, unlike anything that came before or after. It very well could be that its density is what alienated listeners and critics at the time; there is so much information in the music and words that it can seem impenetrable at first, but upon repeated spins it opens up slowly, assuredly, revealing more every listen. Musically, few hip-hop records have ever been so rich; it’s not just the recontextulations of familiar music via samples, it’s the flow of each song and the album as a whole, culminating in the wiepdescreen suite that closes the record. Lyrically, the Beasties have never been better — not just because their jokes are razor-sharp, but because they construct full-bodied narratives and evocative portraits of characters and places. Few pop records offer this much to savor, and if Paul’s Boutique only made a modest impact upon its initial release, over time its influence could be heard through pop and rap, yet no matter how its influence was felt, it stands alone as a record of stunning vision, maturity, and accomplishment. Plus, it’s a hell of a lot of fun, no matter how many times you’ve heard it. ~ Stephen Thomas Erlewine, AllMusic Shipping^ – Order typically “ships” within a business day after receipt of cleared payment (“Delivery” information provided below).”FREE Shipping” via USPS Media Mail** (Per US Postal Service [USPS] delivery may take up to 3-4 weeks. Other delivery options available at check out.*).Various shipping options available.*CD, Cassette & Vinyl Record inventory is new and provided by licensed & authorized dealers/vendors or record label.Buyer responsible for correct shipping address. MOWC only ships to verified/valid eBay/PayPal shipping addresses.No International or P. O. 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