"Le Rire" Magazine 1907- Paris Police Question English Tourist -Emperor Willhelm

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A complete 1907 issue of “Le Rire”, a weekly humor magazine published in Paris from 1894 to 1971 – see below This popular satirical journal was notable for the artists who contributed full-page color illustrations (chromotypographs) to the front, back and centerfold pages This edition comprises 6 pages featuring a cover illustration of Emperor Willhelm of Germany by the artist Charles Leandre (see below); the centerfold includes a superb image of an Englishman being questioned in France by the police by artist Auguste Roubille – see below Full of interest for the art historian. Good condition. Page size 12 x 9 inches See more of these in Seller’s Other Items which can be combined for mailingLe RireFrom Wikipedia, the free encyclopediaJump to navigationJump to searchNo. 158, 13 November 1897 cover by Hermann-PaulLe Rire (French: [lə ʁiʁ], “Laughter”) was a successful French humor magazine published from October 1894 until its final issue in April 1971. Founded in Paris during the Belle Époque by Felix Juven, Le Rire appeared as typical Parisians began to achieve more education, income and leisure time. Interest in the arts, culture and politics intensified during the Gay Nineties. Publications like this helped satisfy such curiosity. It was the most successful of all the “Journaux Humoristiques.”The Dreyfus Affair occurred in 1894 and Le Rire was one of many publications to tap anti-Republican sentiment in wake of that scandal. It was a time in which French governance was frequently characterized by corruption and mismanagement. Government ministers and military officials became frequent targets. The satirical journal was filled with excellent drawings by prominent artists. It featured full-page chromotypographs on both covers and in the centerfold. Many of these pieces are now highly desirable collectibles. The most prominent contributor was Théophile Steinlen. His illustrations were biting caricatures of the political “jackasses” of the day. Illustrations were contributed by well-known artists such as Henri de Toulouse-Lautrec, Georges Goursat, René Georges Hermann-Paul, Juan Gris, Lucien Metivet, Georges Meunier, Jean-Louis Forain, Adolphe Willette, Joaquín Xaudaró, Leonetto Cappiello, Albert Guillaume, Manuel Luque, Jules Grandjouan, Abel Faivre,[1] and Jules-Alexandre Grun.During the music hall era, cabarets and cafes were crowded with personalities and Parisians could catch glimpses of the stars of the day. Le Rire was there to capture scene for its readers. Its pages depicted the likes of Yvette Guilbert, Polaire, Jane Avril, Réjane and even those of popular visitors to the theaters such as Séverine. Charles Lucien LéandreFrom Wikipedia, the free encyclopediaJump to navigationJump to searchThis article includes a list of references, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations. (March 2012) (Learn how and when to remove this template message)Self-portrait, 1920.Charles Lucien Léandre (1862–1934), French caricaturist and painter, was born at Champsecret (Orne), and studied painting under Émile Bin and Alexandre Cabanel.Contents1Early life2Work and career3Honors4Gallery5References6External linksEarly life[edit]Charles Lucien Léandre was born on July 22, 1864 in Champsecret. His father was the mayor of the town in which they lived until his death in 1868. At 16, Léandre met the painter Émile Bin, who would instruct Léandre. Léandre received multiple awards for his artistic talents in his twenties.[1]Work and career[edit]From 1887 he figured among the exhibitors of the Salon, where he showed numerous portraits and genre pictures, but his popular fame is due to his comic drawings and caricatures. The series of the “Gotha des souverains,” published in Le Rire, and Leandre’s other work like that seen in L’Assiette au Beurre placed him in the front rank of modern caricaturists.Besides his contributions to Le Rire, Le Figaro and other comic journals, he published a series of albums: Nocturnes, Le Musee des souverains, and Paris el la provénce. In 1904, he created the Société des Peintres Humoristes.Léandre produced admirable work in lithography, and designed many memorable posters, such as the “Yvette Guilbert.” “Les nouveaux maries,” “Joseph Prudhomme,” “Les Lutteurs,” and “La Femme au chien.”He died in 1934 in his Caulaincourt street studio, in Montmartre.Honors[edit]He won a bronze medal at the Exposition Universelle in 1889 for a large size painting:[1] la Mère ou « Dormio cor meum vigilat » (“Je dors mais mon coeur veille”). In 1900, at the next Exposition Universelle, he was among the five lithographic artists selected to achieve two compositions on a selected theme; he received a gold medal at this contest.He was created a knight of the Legion of Honour. In 1921, he got the Medal of Honour of the Société des artistes français, in the engraving section, one of the more important honorary awards an artist could obtain in Paris. In 1925, Charles Léandre was promoted an Officer of the Legion of Honour.Auguste Roubille, 1872-1955Posted by Julie L. Mellby on March 2, 2010 | 1 CommentAuguste Roubille (1872-1955), Abdul Hamid II, ca. 1900. Lithograph. GC103 French Political Caricatures Collection. Abdul Hamid II, Le sultan rouge = His Imperial Majesty, Sultan Abdülhamid II, Emperor of the Ottomans, Caliph of the Faithful (1842-1918) was the 34th sultan of the Ottoman Empire, ruling from 1876 to 1909.There is little information in the art history books about Auguste Jean-Baptiste Roubille (1872-1955). He was an engraver and a painter (he did café murals), a book illustrator, and a designer of posters and dioramas. Thanks to Stanley Appelbaum’s French Satirical Drawings from ‘L’Assiette Au Beurre’ for this little bit of biography. Beginning in 1897, Roubille worked for many of the Paris humor magazines, such as Le Courrier Français, Le Rire, Le Sourire, Le Cri de Paris, Cocorico, and others. L’Assiette claimed his services for its very first issue in April 4, 1901 and frequently in the years that followed.Around 1900, he completed a series of 13 lithographic posters for the writer/publisher Antonin Reschal at Librairie Parisienne Arnaud et Cie. They titled the set Le musée de sires, feuille de Caricatures Politiques (Museum of Lords or Rulers, sheets of political caricatures). My colleague Eduardo Tenenbaum offers a reading of the pun they make with the series title Gueulerie contempoiriane (after the series Galerie contemporaine): “gueule” (f.) in French is the muzzle or face of an animal, but in slang it means a person’s face or mouth, and is often used derogatorily. When used as a verb, “gueuler” can mean “to yell” or “to scream.” The phrase “gueulerie contemporaine” suggests to me humans braying like a bunch of animals, or in this case, politicians.The rulers in this museum are surprisingly international in scope. Here are a few more:Auguste Roubille (1872-1955), Shah de Perse, ca. 1900. Lithograph. GC103 French Political Caricatures Collection. Shah de Perse, Mozaffer Ed-Dine = Mozaffar ad-Din Shah Qajar (1853-1907) was the fifth Qajarid Shah of Persia, ruling from 1896 to 1907.Auguste Roubille (1872-1955), Cleopold II, ca. 1900. Lithograph. GC103 French Political Caricatures Collection. Cléopold II. Roi des Belges = Leopold II (1835-1909) was King of Belgium, ruling from 1865 to 1909. Auguste Roubille (1872-1955), Sir Paul Kruger, ca. 1900. Lithograph. GC103 French Political Caricatures Collection. Sir Paul Kruger = Paul Kruger (1825-1904) was President of the Transvaal Republic (South Africa), ruling from 1883 to 1900.Auguste Roubille (1872-1955), The Gracious Queen, ca. 1900. Lithograph. GC103 French Political Caricatures Collection. “The Gracious Queen” = Queen Victoria (1819-1901), the longest-ruling monarch of the United Kingdom of Great Britain and Ireland, ruling from 1837 to 1901. Categories: Prints, Drawings, Paintings

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