Elton John Poster New Numbered Artist Edition 100 copies Signed David Byrd COA

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Item: 371906331156

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Original/Reproduction:Original

This fan-styled poster honors Elton John’s historic 1969 Fillmore East performance with Leon Russell on November 21, 1970. This is a new edition created by the original and only Fillmore East staff artist and legendary rock and broadway poster designer David Edward Byrd. This poster has been annotated, hand-signed and numbered in pencil by David. It also comes with my signed Certificate of Authenticity (COA) and lifetime guarantee. Size: 15″ x 22″ In Flawless Mint Condition Includes a signed Certificate of Authenticity and Lifetime Guarantee (COA) David Byrd has secured a place in rock poster history. But along the way he has made dozens of highly memorable, iconic poster images of Jimi Hendrix, the Rolling Stones, the Grateful Dead and dozens more for not only the Fillmore East (where he was the only poster artist), but for Broadway shows such as Sondheim’s Follies, Tommy, Jesus Christ Superstar, Godspell, Little Shop of Horrors and many, many more. Original fan style poster commemorates one of rock’s beloved performers and songwriters and his historic appearance at the Fillmore East in 1970. This impeccably printed giclee features brilliant imagery and colors on ultra-premium matte stock and is Hand-annotated signed and numbered by artist David Edward Byrd This poster is highly collectible and comes with my signed Certificate of Authenticity and Lifetime Guarantee (COA) An ideal gift for any fan of Elton John. Visit My eBay Store: OptikRock About David Byrd: David Byrd has been creating iconic images for rock’s most legendary artists and tours for over five decades. And that’s not even mentioning some of Broadway’s most memorable show poster designs. He has also created fantastic set designs and style guides for some of the most successful movies in history. Rarely has any commercial illustrator amassed such an impressive body of work. In addition to his famous Woodstock, Jimi Hendrix and Rolling Stones Tour artwork, Byrd has been a wonderful and prolific illustrator of all types of art. Over parts of six decades, Byrd was especially active in the Broadway show arena, having done the art for Little Shop of Horrors, Jesus Christ Superstar and many other Broadway show pieces. In early 1968, at the recommendation of art school chums who were running things for Bill Graham at the new Fillmore East in Manhattan’s East Village, David Byrd signed on as the exclusive poster & program designer, and between 1968 & 1973 he created posters for Jimi Hendrix, Jefferson Airplane, the Who (for their rock opera Tommy); Traffic, Iron Butterfly, Ravi Shankar and the Grateful Dead. In 1969 David created the original commemorative poster for the legendary Woodstock Festival until it was replaced by Arnold Skolnick’s famous design because the location changed! • That same year David Byrd created the graphic for the Rolling Stones 1969 Tour that tragically ended at Altamont. It was also in1969 that David began his career as a Broadway poster designer. Over the next 20 years David would do many Broadway & Off-Broadway shows including Sondheim’s Follies, Godspell, Jesus Christ Superstar, Little Shop of Horrors, Steel Magnolias and The Cocktail Hour. He also did the poster for Beverly Sill’s farewell performance (in Don Pasquale) at the Metropolitan Opera. Beyond the stage, Byrd & his Yellow Studio created book covers for most of the major publishers, album covers for most of the major music companies, and many advertising illustrations for Madison Avenue • In 1973 he received a Grammy Award for album design along with several other prominent illustrators for The Who’s Rock Opera Tommy. In 1980 he came to Los Angeles to work on the Van Halen World Tour with tour designer Chip Monck and Van Halen manager Noel Monk, both of whom he had worked with at the Fillmore East and Woodstock Festival. He decided to stay in Los Angeles where he subsequently did posters for dozens of local venues. From 1984 to 1986 he was Art Director of the national gay news magazine The Advocate. Beginning in 1978, David did regular covers for TV Guide, creating portraits for Cagney and Lacey, Murder She Wrote, Battle Star Galactica, Family Ties, Robert Conrad, the 1988 Winter Olympics, the Fall Preview, and Prince Charles & Princess Diana. In 1985 David created Byrd/Beserra Studios with his partner and fellow-artist Joe Lino Beserra, whom he met shortly after working on the Van Halen Tour. Together they designed a classic poster of the Pan Pacific Auditorium for the American Cinematheque; all the art for the board game Past Lives; art for the Franklin Mint Special Edition of the board game Clue; as well as backgrounds for an animated Sprint commercial • In 1991, he took the position of Senior Illustrator at Warner Bros. Creative Services, which he held for exactly 11 years • Besides creating illustrations, backgrounds and style guides for all the Looney Tunes & Hannah-Barbera characters, David got to create commemorative plates for the Franklin Mint, souvenir posters for the Batman series of films, and style guides for feature films such as Space Jam and The Wizard of Oz, television shows such as Friends and Scooby Doo, and the Cartoon Network • His department was responsible for the Bugs Bunny postage stamp—the first cartoon character on a U.S. stamp—and all the subsequent Looney Tunes stamps. During his final three years at Warners, David worked on the Masterpiece style guide, creating a series of paintings based on originals by Degas, Picasso, Magritte, and Toulouse-Lautrec, among others. But most of that three years was spent working on the Harry Potter style guides, for which David did hundreds of drawings of everything from Diagon Alley to the Hippogriff. Click here to make OptikRock one of your favorite sellers! Why Us: We pack correctly and ship quickly. We hold and combine orders. We accept all payment methods. We have a 14-day, no questions asked return policy. We love to answer questions. Our mission is your satisfaction. _gsrx_vers_301 (GS 5.3.1 (301))

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